AI generated: Jack Philips ka last call on Titanic ship

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Jack Philips ka last call on Titanic ship

Prompt

Jack Philips ka last call on Titanic ship

Tags

jack

philips

last

call

titanic

ship

Model

FLUX.1 Schnell (Free)

Size1440 × 960

Created10/25/2025

0

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Prompt: “animeted-style visual of Jack Ma sitting in front of a computer in a modest Seattle apartment, looking puzzled and thoughtful. The computer and its hardware components are visible, but he examines them with curiosity and a lack of technical understanding. Papers with notes and diagrams scattered around him hint at attempts to learn. Soft natural light from the window creates gentle shadows and highlights. Muted documentary color grading, realistic textures of desk, computer, and room. Handheld-camera realism, shallow depth of field emphasizing Jack Ma’s expression of wonder and determination. Tone conveys challenge, perseverance, and the beginning of his problem-solving journey, consistent with previous documentary visuals.”
Genret a image of this keyword

Prompt:
“animeted-style visual of Jack Ma in Silicon Valley, standing outside sleek office buildings of various investors, holding a folder with his business plan. He looks hopeful but is met with polite refusals from suited investors inside glass offices. Close-ups show expressions of rejection and polite dismissal. Soft natural daylight, muted documentary color grading, realistic textures of glass buildings, streets, and briefcases. Handheld-camera realism, shallow depth of field focusing on Jack Ma’s determined yet disappointed face. Tone conveys struggle, persistence, and resilience in the face of repeated rejection, consistent with previous documentary-style visuals.”

Prompt:
“animeted-style visual of Jack Ma in Silicon Valley, standing outside sleek office buildings of various investors, holding a folder with his business plan. He looks hopeful but is met with polite refusals from suited investors inside glass offices. Close-ups show expressions of rejection and polite dismissal. Soft natural daylight, muted documentary color grading, realistic textures of glass buildings, streets, and briefcases. Handheld-camera realism, shallow depth of field focusing on Jack Ma’s determined yet disappointed face. Tone conveys struggle, persistence, and resilience in the face of repeated rejection, consistent with previous documentary-style visuals.”